An autobiography of Vladimir Nabokov. It presents recollections - of his comfortable childhood and adolescence, of his rich, liberal-minded father, his beautiful mother, an army of relations and family hangers - on and of grand old houses in St Petersburg and the surrounding countryside in pre-Revolutionary Russia.

An autobiography of Vladimir Nabokov. It presents recollections - of his comfortable childhood and adolescence, of his rich, liberal-minded father, his beautiful mother, an army of relations and family hangers - on and of grand old houses in St Petersburg and the surrounding countryside in pre-Revolutionary Russia.

'Speak, memory', said Vladimir Nabokov. And immediately there came flooding back to him a host of enchanting recollections - of his comfortable childhood and adolescence, of his rich, liberal-minded father, his beautiful mother, an army of relations and family hangers-on and of grand old houses in St. Petersburg and the surrounding countryside in pre-Revolutionary Russia. Young love, butterflies, tutors and a multitude of other themes thread together to weave an autobiography, which is itself a work of art.

An autobiographical volume which recounts the story of Nabokov's first forty years up to his departure from Europe for America at the outset of World War Two. It tells of his emergence as a writer, his early loves and his marriage, and his passions for butterflies and his lost homeland. Written in this writer's characteristically brilliant, mordant style, this book is also a tender record of lost childhood and youth in pre-Revolutionary Russia.

An autobiographical volume which recounts the story of Nabokov's first forty years up to his departure from Europe for America at the outset of World War Two. It tells of his emergence as a writer, his early loves and his marriage, and his passions for butterflies and his lost homeland. Written in this writer's characteristically brilliant, mordant style, this book is also a tender record of lost childhood and youth in pre-Revolutionary Russia.

Voici l'autobiographie de Vladimir Nabokov, dans l'edition revisee et augmentee parue aux Etats-Unis sous le titre Speak, Memory, an Autobiography revisited et comprenant la preface inedite de sa traduction russe. De toutes ses ?uvres ecrites en anglais, l'auteur n'a choisi de retraduire lui-meme en russe que celles qui lui tenaient particulierement a c?ur : Lolita et Autres rivages. Livre nostalgique sur une Russie disparue, Autres rivages restitue avec une magie eblouissante l'enfance de l'auteur et son exil europeen : «Comme le cosmos est petit (une poche de kangourou le contiendrait), comme il est derisoire et piteux compare a la conscience humaine, a un seul souvenir d'un individu et a son expression par des mots ! Peut-etre suis-je attache a l'exces a mes toutes premieres impressions, mais apres tout je leur dois de la reconnaissance. Elles m'ont montre le chemin d'un veritable Eden de sensations visuelles et tactiles.»

An autobiographical volume which recounts the story of Nabokov's first forty years up to his departure from Europe for America at the outset of World War Two. It tells of his emergence as a writer, his early loves and his marriage, and his passions for butterflies and his lost homeland. Written in this writer's characteristically brilliant, mordant style, this book is also a tender record of lost childhood and youth in pre-Revolutionary Russia.

On the eve of the controversial, posthumous publication of The Original of Laura, Michael Maar follows his critically acclaimed The Two Lolitas with a revealing new perspective on Vladimir Nabokov's life and work. Hunting down long-hidden clues in the novels, and using the themes that run through Nabokov's fiction to illuminate the life that produced them, Maar constructs a compelling psychological and philosophical portrait. Characteristically graceful and engaging, Speak, Nabokov offers a vital new perspective on the twentieth-century master.

The last major collection of Nabokov's published material, Think, Write, Speak brings together a treasure trove of previously uncollected texts from across the author's extraordinary career. Each phase of his wandering life is included, from a precocious essay written while still at Cambridge in 1921, through his fame in the aftermath of the publication of Lolita to the final, fascinating interviews given shortly before his death in 1977. Introduced and edited by his biographer Brian Boyd, this is an essential work for anyone who has been drawn into Nabokov's literary orbit. Here he is at his most inspirational, curious, playful, misleading and caustic. The seriousness of his aesthetic credo, his passion for great writing and his mix of delight and dismay at his own, sudden global fame in the 1950s are all brilliantly delineated.

Over the three decades since her death on 12 January 1976, many of Agatha Christie’s readers and reviewers have maintained that her most compelling book is probably still her least well-known. Her candid Autobiography, written mainly in the 1960s, modestly ignores the fact that Agatha had become the best-selling novelist in history and concentrates on her fascinating private life. From early childhood at the end of the 19th century, through two marriages and two World Wars, and her experiences both as a writer and on archaeological expeditions with her second husband, Max Mallowan, Agatha shares the details of her varied and sometimes complex life with real passion and openness. .

Agatha Christie's 'most absorbing mystery' - her own autobiography. Over the three decades since her death on 12 January 1976, many of Agatha Christie's readers and reviewers have maintained that her most compelling book is probably still her least well-known. Her candid Autobiography, written mainly in the 1960s, modestly ignores the fact that Agatha had become the best-selling novelist in history and concentrates on her fascinating private life. From early childhood at the end of the 19th century, through two marriages and two World Wars, and her experiences both as a writer and on archaeological expeditions with her second husband, Max Mallowan, Agatha shares the details of her varied and sometimes complex life with real passion and openness.

Over the three decades since her death on 12 January 1976, many of Agatha Christie’s readers and reviewers have maintained that her most compelling book is probably still her least well-known. Her candid Autobiography, written mainly in the 1960s, modestly ignores the fact that Agatha had become the best-selling novelist in history and concentrates on her fascinating private life. From early childhood at the end of the 19th century, through two marriages and two World Wars, and her experiences both as a writer and on archaeological expeditions with her second husband, Max Mallowan, Agatha shares the details of her varied and sometimes complex life with real passion and openness. .

Это — «Лолита». .Самая скандальная «история любви» XX столетия. .Самое, возможно, совершенное произведение Владимира Набокова. .Книга, в невероятной своей силе и необыкновенном своём изяществе взлетевшая над условностью морали и законами времени. .«Ибо крепка, как смерть, любовь… и стрелы её — стрелы огненные». . .

Это — «Лолита». .Самая скандальная «история любви» XX столетия. .Самое, возможно, совершенное произведение Владимира Набокова. .Книга, в невероятной своей силе и необыкновенном своём изяществе взлетевшая над условностью морали и законами времени. .«Ибо крепка, как смерть, любовь… и стрелы её — стрелы огненные». . .

W. G. Sebald was one of the most extraordinary and influential writers of the twentieth century. Through books including The Emigrants, Austerlitz and The Rings of Saturn, he pursued an original literary vision that combined fiction, history, autobiography and photography and addressed some of the most profound themes of contemporary literature: the burden of the Holocaust, memory, loss and exile. The first biography to explore his life and work, Speak, Silence pursues the true Sebald through the memories of those who knew him and through the work he left behind. This quest takes Carole Angier from Sebald's birth as a second-generation German at the end of the Second World War, through his rejection of the poisoned inheritance of the Third Reich, to his emigration to England, exploring the choice of isolation and exile that drove his work. It digs deep into a creative mind on the edge, finding profound empathy and paradoxical ruthlessness, saving humour, and an elusive mix of fact and fiction in his life as well as work. The result is a unique, ferociously original portrait.

He is one of the most beloved athletes in history and one of the most gifted men ever to step onto a tennis court - but from early childhood Andre Agassi hated the game. Coaxed to swing a racket while still in the crib, forced to hit hundreds of balls a day while still in grade school, Agassi resented the constant pressure even as he drove himself to become a prodigy, an inner conflict that would define him. Now, in his beautiful, haunting autobiography, Agassi tells the story of a life framed by such conflicts. Agassi makes us feel his panic as an undersized seven-year-old in Las Vegas, practicing all day under the obsessive gaze of his violent father. We see him at thirteen, banished to a Florida tennis camp. Lonely, scared, a ninth-grade dropout, he rebels in ways that will soon make him a 1980s icon. By the time he turns pro at sixteen, his new look promises to change tennis forever, as does his lightning fast return. And yet, despite his raw talent, he struggles early on. We feel his confusion as he loses to the worlds best, his greater confusion as he starts to win. After stumbling in three Grand Slam finals, Agassi shocks the world, and himself, by capturing the 1992 Wimbledon. Overnight he becomes a fan favorite and a media target. Agassi brings a near-photographic memory to every pivotal match, and every public relationship. Alongside vivid portraits of rivals, Agassi gives unstinting accounts of his brief time with Barbra Streisand and his doomed marriage to Brooke Shields. He reveals the depression that shatters his confidence, and the mistake that nearly costs him everything. Finally, he recounts his spectacular resurrection and his march to become the oldest man ever ranked number one. In clear, taut prose, Agassi evokes his loyal brother, his wise coach, his gentle trainer, all the people who help him regain his balance and find love at last with Stefanie Graf. With its breakneck tempo and raw candor, Open will be read and cherished for years. A treat for ardent fans, it will also captivate readers who know nothing about tennis. Like Agassis game, it sets a new standard for grace, style, speed and power.