Natalia Goncharova (1881-1962) was the leading female artist of the Russian avant-garde and a key figure of the modernist era. She embraced with a complete openness a wide range of artistic styles, traditions and media. From sculpture and painting, printmaking and book illustration, to fashion and innovative cinema, she applied the spirit of `everythingness' (Toutisme) to her creative practice. After gaining fame for her early experiments with abstraction, she earned further international renown for her work for Diaghilev's Ballets Russes following her emigration to Paris in 1914. This publication will consider the entire spectrum of Goncharova's creative practice. An important focus will be her 1913 exhibition in Moscow at which she displayed over 350 paintings along with the numerous drawings, studies, prints and designs, demonstrating her prolific and prodigious talent. It will also address how Goncharova was unafraid to explore subjects in her art that were considered taboo for a gentile woman of pre-war Europe, such as the female nude, paganism and marginalised cultures. The artist caused controversy with her biblical scenes, which were rendered in intense and earthly manner that reflected her personal experiences in the period leading to the outbreak of the First World War. Her involvement in performative practices of the futurist movement in Russia went along with her own ground-breaking experiments with non-figurative forms. It was her work that largely contributed to elevating theatre design and costume-making into an art form. Essays by leading experts and lavish illustrations will bring to a new audience the diverse work of this modernist artist whose oeuvre blazed the path of Russian avant-garde painting, ground-breaking European theatre design and modernist graphic design.

This book delves into the world of the Russian Avant-Garde artists, who raced full speed ahead and created daring and original works on the way. Even today their ideas are challenging and their art is amazing, although it has been a century since their first experiments. But this is no art history lecture course. You will hear the voices of Kazimir Malevich, Natalia Goncharova, Mikhail Larionov, Alexander Rodchenko, and others. Memoirs, manifestos, diary entries from contemporaries, and reviews by critics - this is what fills the pages of this unusual travelogue. Let’s jump in and journey together on this train, seeing and hearing what started their voyage, which passengers climbed aboard at different stations, what discoveries they made together, and what thought-provoking works of art they produced for the world.

This book delves into the world of the Russian Avant-Garde artists, who raced full speed ahead and created daring and original works on the way. Even today their ideas are challenging and their art is amazing, although it has been a century since their first experiments. But this is no art history lecture course. You will hear the voices of Kazimir Malevich, Natalia Goncharova, Mikhail Larionov, Alexander Rodchenko, and others. Memoirs, manifestos, diary entries from contemporaries, and reviews by critics - this is what fills the pages of this unusual travelogue. Let’s jump in and journey together on this train, seeing and hearing what started their voyage, which passengers climbed aboard at different stations, what discoveries they made together, and what thought-provoking works of art they produced for the world.

This book delves into the world of the Russian Avant-Garde artists, who raced full speed ahead and created daring and original works on the way. Even today their ideas are challenging and their art is amazing, although it has been a century since their first experiments. But this is no art history lecture course. You will hear the voices of Kazimir Malevich, Natalia Goncharova, Mikhail Larionov, Alexander Rodchenko, and others. Memoirs, manifestos, diary entries from contemporaries, and reviews by critics - this is what fills the pages of this unusual travelogue. Let’s jump in and journey together on this train, seeing and hearing what started their voyage, which passengers climbed aboard at different stations, what discoveries they made together, and what thought-provoking works of art they produced for the world.

The majority of the paintings and drawings published in this catalogue of a Russian Museum exhibition date to the first few decades of the twentieth century, overlapping with the avant-garde; others were done in mid century, still others as late as the eighties. The style is basically representative in the works of such artists as Konstantin Yuon, Vasilii Chekrygin, Nicholas Roerich, Konstantin Rozhdestvenskii, Iosif Gurvich, Nicola Benois, Valery Kondratiev, Kuzma Petrov-Vodkin, and Alexander Labas. Mikhail Matiushin, Kandinskii, Malevich, Pavel Filonov, Nikolai Suetin, Natalia Goncharova, Ivan Kudriashev, and the Amaravella circle, on the other hand, aproached the theme in abstract forms. What unites all these varied artists is their endeavor to imagine other worlds in art. Quotations from the artists and a detailed introduction give some idea of the philosophies behind their art (e.g., Suprematism). On a visual and aesthetic level the works are often beautiful if eerie.

Бренд: AriatЦвет: Natalia

Explore the influence of Impressionism on Russian painters at the end of the 19th century and early 20th century. In the late 19th century, numerous Russian artists found inspiration in the style of French Impressionist painters. Often, a journey to Paris acted as a catalyst for their burgeoning interest in the movement. They developed a preference for working en plein air and aimed to capture transitory effects through a spontaneous and free handling of the brush. Many leading painters of the later Russian avant-garde arrived at their individual styles due to studying the Impressionist use of light. This lavishly illustrated volume explores the many-layered ways French Impressionism influenced the evolution of Russian art from the 1880s to the 1920s, including the work of painters as diverse as Ilya Repin, Valentin Serov, Konstantin Korovin, Natalia Goncharova, and Kazimir Malevich. Essays by many of the leading scholars in the field provide rich new insights into one of the most intriguing chapters of Russian modernism.

GALE 50 – самый мощный однофазный компрессор с прямым приводом в ассортименте Aurora. Безусловный бестселлер последних лет из-за отличного соотношения долговечности, производительности и доступной цены. Устройство отличают честные характеристики, увеличенный объём 2х цилиндров, диаметром 48мм каждый и V-образная «голова». Мощный электромотор гарантирует поддержание стабильных оборотов (не ниже 2850 об/мин) во всём диапазоне рабочих давлений. Максимальное значение давления – 8 Бар. Ресивер аппарата изготовлен с учётом европейских требований к безопасности и качеству сосудов под давлением, о чём на корпусе имеется соответствующая шильда.Aurora GALE-50 с успехом справится со снабжением сжатым воздухом широкого спектра пневмоинструмента, который может понадобиться в гараже, небольшом автосервисе, или при работе на стройке: нейлеры и шлифовальные машинки, дрели и шарошки, аппараты плазменной резки и даже мини-краскопульты и гайковёрты с небольшим потреблением воздуха.Особенности:2 фильтра входящего воздуха с наполнителем из специальной пены2 выхода для подключения пневмоинструмента: левый с возможностью настройки давления, правый – напрямую из ресивера. Предохранительный клапан для сброса давления в случае отказа блока управленияКожух для защиты оператора от ожогов. Большие обрезиненные колёса и виброгасящие подставкиОсобенности ресивера:Честный объём ресивераБак из стали 2.5мм, отвечающий всем требованиям европейской сертификацииРевизионные отверстия с 2х сторон ресивераВозможность подключения пневмолинии напрямую к ресиверу для снижения потерь при прохождении через штуцеры и дополнительные коннекторыGale-50 отличается от конкурентов простотой и надёжностью конструкции, высокой ремонтопригодностью и вполне демократичной стоимостью! Покупатель за свои деньги получает универсальный источник воздуха практически для любого инструмента.Габариты упаковки: 770х380х730ммГарантия - 1 годЗапасные части для Aurora GALE:Сапун STORM/GALEОкно уровня масла AIR/GALEБолт колесный GALE/STORM/CYCLONКолесо 8х1,75 GALE/STORMТепловое реле 12A AIR/WIND/GALEОбратный клапан AIR/GALEРеле давленияРеле давления в сбореРедуктор для компрессоров AURORAПредохранительный клапан для компрессоров AURORAВоздушный фильтр AIR/GALEКожух GALE Aurora GALE-50 в действии:Как выбрать компрессор:Скачать руководство пользователя [. pdf, 2.6 Mb]

When Natalia Flores finds a lost cat with a litter of newborn kittens, she is desperate to keep one of them. Whether or not her mami says yes to a new pet, the rest of the kitties will need homes - and Natalia has the purrfect plan. With help from her friend Reuben, Natalia starts an anonymous online account to find each cat the right owner. But as her classmates apply, her matchmaking scheme gets more complicated. And when her former best friend Meera applies for a kitten, Natalia doesn't know what to do. Will her attempt to spread kindness help heal their friendship, or simply tear her and Meera further apart?

What Katy Did at School and What Katy Did Next continue the story of the high-spirited and rebellious American girl, Katy Carr, and her family, who first appeared in What Katy Did. What Katy Did at School is a compelling tale of the intrigues of life at the New England girls' boarding school which Katy attends. Her trials and adventures are all interwoven with a sense of fun and gently ironic good humour. What Katy Did Next describes a tour by Katy of Europe, as she evolves from the child of earlier books into a spirited young woman, and brings to a satisfying close this delightful trilogy.

Босоножки KELTON (натуральная кожа) NATALIA NERO

Босоножки KELTON (натуральная кожа) NATALIA NERO

Босоножки KELTON (натуральная кожа) NATALIA NERO

Босоножки KELTON (натуральная кожа) NATALIA NERO

Босоножки KELTON (натуральная кожа) NATALIA GESSO

Босоножки KELTON (натуральная кожа) NATALIA GESSO