Tod. T. Friendly is living his life backwards. Doctor Friendly has just died, but after weeks of improving in the hospital, he is sent home to his affable, melting-pot, primary-colour existence in suburban America. From the fresh-cut lawns of his retirement to the hustle of New York, and then the boat back to war-torn Europe, Friendly carries with him a secret. Trapped in his body from grave to cradle, Friendly’s consciousness can only watch as he struggles to make sense of the good doctor’s most ambitious project yet – the final solution.

Of all the great novelists writing today, none shows the same gift as Martin Amis for writing non-fiction - his essays, literary criticism and journalism are justly acclaimed. The Rub of Time comprises superb critical pieces on Amis's heroes Nabokov, Bellow and Larkin to brilliantly funny ruminations on sport, Las Vegas, John Travolta and the pornography industry. The collection includes his essay on Princess Diana and a tribute to his great friend Christopher Hitchens, but at the centre of the book, perhaps inevitably, are essays on politics, and in particular the American election campaigns of 2012 and 2016. One of the very few consolations of Donald Trump's rise to power is that Martin Amis is there to write about him.

Smooth-talking, sensual and self-deluded, Gregory Riding leads an existence of formidable foppishness, his days and nights a series of effortless, titillating conquests and tireless sex - sister, employers, acquaintances are but co-stars among a cast of thousands to have passed through his busy bed. Meanwhile, Gregory's foster brother, Terry, has to make do with the leavings as he trawls through life in a miasma of grief, burdened by an unmentionable past and the unlikelihood of ever having a good time in bed. But when Success swivels her capricious gaze roles are reversed with and the Riding brothers find their lives dramatically changed.

John Self is a consumer extraordinaire. Rolling between London and New York he closes movie deals and spends feverishly, all the while grabbing everything he can to sate his massive appetites: alcohol, tobacco, pills, pornography and mountains of junk food. But John’s excesses haven’t gone unnoted. Menaced by a phone stalker, his high-wire, hoggish lifestyle is about to bring him face-to-face with the secret of his success.

Six friends are determined to escape for a debauched weekend in the country Blitzed on uppers, downers, blue movies and bellinis, the six twenty-something friends ensconced at Appleseed Rectory for the weekend are reeling in an hallucinatory haze of sex and seduction. But mysterious 'Johnny' begins to unsettle the other guests. And as Friday melts into Saturday and Saturday spirals into Sunday and sobriety sets in, the romp descends into something altogether more sinister.

When 'dream husband' Xan Meo is vengefully assaulted in the garden of a London pub, he suffers head-injury, and personality-change. Like a spiritual convert, the familial paragon becomes an anti-husband, an anti-father. He submits to an alien moral system - one among many to be found in these pages. We are introduced to the inverted worlds of the 'yellow' journalist, Clint Smoker; the high priest of hardmen, Joseph Andrews; the porno tycoon, Cora Susan; and Royce Traynor, the corpse in the hold of the stricken airliner, apparently determined, even in death, to bring down the plane that carries his spouse. Meanwhile, we explore the entanglements of Henry England: his incapacitated wife, Pamela; his Chinese mistress, He Zizhen; his fifteen-year-old daughter, Victoria, the victim of a filmed 'intrusion' which rivets the world - because she is the future Queen of England, and her father, Henry IX, is its King.

Once close friends, writers Gwyn Barry and Richard Tull now find themselves in fierce competition. While Tull has spiralled into a mire of literary obscurity and belletristic odd jobs, Barry's atrocious attempts at novels have brought him untold success. Prizes, prestige and wealth abound, and from far below Tull can only watch, stewing in torment. Until, that is, resentment turns to revenge. Consumed by the question of how one writer can really hurt another, Tull's quest for an answer will unleash increasingly violent urges on both writers' lives.

A horribly violent, but horribly unsuccessful criminal, Lionel’s attentions up to now have all been on his nephew, Desmond Pepperdine. He showers him with fatherly advice (‘carry a knife’) and introduces Des to the joys of internet porn. Meanwhile, Des desires nothing more than books, a girl to love and to steer clear Uncle Li’s psychotic pitbulls, Joe and Jeff. But Lionel’s winnings are not necessarily all good news. For Des has a secret, and its discovery could unleash his uncle’s implacable vengeance.

Writer, Samson Young, is staring death in the face, and not only his own. Void of ideas and on the verge of terminal decline, Samson's dash to a decaying, degenerate London has brought him through the doors of the Black Cross pub and into a murder story just waiting to be narrated. At its centre is the mesmeric, doomed Nicola Six, destined to be murdered on her 35th birthday. Around her: the disreputable men who might yet turn out to be her killer. All Samson has to do is to write Nicola's story as it happens, and savour in this one last gift that life has granted him.

A sharp twist on the noir genre from one of England's finest fiction writers 'I worked one hundred murders,' says Detective Mike Hoolihan, an American policewoman. 'In my time I have come in on the aftermath of maybe a thousand suspicious deaths, most of which turned out to be suicides, accidentals or plain unattendeds. So I've seen them all: jumpers, stumpers, dumpers, dunkers, bleeders, floaters, poppers, bursters. But of all the bodies I have ever seen none has stayed with me, in my gut, like the body of Jennifer Rockwell. I say all this because I am part of the story I am going to tell, and I feel the need to give you some idea of where I'm coming from.' Night Train is a mystery story which lingers in the reader's mind even after Mike Hoolihan declares the case closed.

An ex-circus strongman, veteran of Warsaw, 1939, and Notting Hill rough-justice artist, meets his own personal holocaust and 'Einsteinian' destiny; maximum boredom and minimum love-making are advised in a 2020 epidemic; a virulent new strain of schizophrenia overwhelms the young son of a 'father of the nuclear age'; evolution takes a rebarbative turn in a Kafkaesque love story; and the history of the earth is frankly discussed by one who has witnessed it all. The stories in this collection form a unity and reveal a deep preoccupation: '"Einstein's Monsters" refers to nuclear weapons but also to ourselves,' writes Amis in his enlightening introductory essay, 'We are Einstein's monsters: not fully human, not for now.'

'Other People had me purring with pleasure' The Times Like a ghost or a fugitive, Mary roams through London - pursuing and pursued by memory and forgetting, by the compelling Amy Hide and the charming Mr Wrong... Martin Amis sustains an unnervingly high degree of suspense as Mary and the reader yearn to grasp what has happened to Mary's past and ponder what its loss has gained her. Unfolding is a metaphysical thriller where jealousy guarded secrets jostle with startling insights. Other People is ambitious and accomplished, heralding for Amis an unexpected new direction as a novelist and for the rest of us an experience not to be missed.

Life...is shapeless, it does not point to and gather round anything, it does not cohere. Artistically, it's dead. Life's dead. So begins a love letter to life, a resuscitation of sorts, encountering vibrant characters from Saul Bellow, to Philip Larkin to Iris Murdoch and Elizabeth Jane Howard, and to the person who captivated Amis' twenties, the alluringly amoral Phoebe Phelps. Amis addresses our burning questions: how to live, how to grieve, and how to die?

Amis’s powers of comic invention are formidable in this dark tale of disaster, sex, love, murder - and darts. Set in a pre-millennial, pre-apocalyptic London, the novel follows femme fatale Nicola Six who has a premonition that she will be murdered on her thirty-fifth birthday. A willing victim, or ‘murderee’, Nicola sets out to arrange her own death by manipulating and fomenting a cast of unloveable yet compelling characters including Keith Talent, a yobbish low-life criminal and porn addict, Guy Clinch, handsome, wealthy and totally hapless, and the novel’s narrator Samson Young, an American Jew with a terminal illness and a serious case of writer’s block. Shortlisted for the Booker Prize, London Fields reveals Amis at his most daring, revelling in post-modern gamesmanship and savage wit to serve up an incisive portrait of a world stumbling noisily towards the abyss.

Summer 1970 - a long, hot summer. In a castle in Italy, half a dozen young lives are afloat on the sea of change, trapped inside the history of the sexual revolution. The girls are acting like boys, and the boys are going on acting like boys, and Keith Nearing - twenty years old, a literature student all clogged up with the English novel - is struggling to twist feminism and the rise of women towards his own ends. The sexual revolution may have been a velvet revolution (in at least two senses), but it wasn't bloodless - and now, in the twenty-first century, the year 1970 finally catches up with Keith Nearing. The Pregnant Widow is a comedy of manners and a nightmare, brilliant, haunting and gloriously risque. It is the most eagerly anticipated novel of the year and Martin Amis at his fearless best.

Charles Highway is every mother’s worst nightmare. Precociously intelligent, mercilessly manipulative and highly sexed, Charles devotes the last of his teenage years to bedding girls and evading the half-arsed overtures of his distant parents. That is, until, he meets the aloof, wildly unattainable, Rachel. As Charles’s twentieth birthday – and the Oxford entrance exams – loom, his plans for seducing Rachel will draw him into a private collection of obsessional notes and observations: the eponymous ‘Rachel Papers’.