A new translation and abridgement of one of the four classical Chinese novels - an epic story of warring factions in the era of China's Han dynasty Part historical and part legend, The Romance of the Three Kingdoms dramatizes the lives of feudal lords and their retainers, recounting their personal and military battles, intrigues and struggles to achieve dominance for almost a hundred years. It is one of the most beloved works of East Asian literature, and the most famous historical novel in China.

To celebrate the 60th Anniversary of the publication of The Lord of the Rings, a sumptuous full-colour art book containing the complete collection of almost 200 sketches, drawings, paintings and maps by J.R.R. Tolkien. As he wrote The Lord of the Rings, J.R.R. Tolkien’s mental pictures often found expression in drawing, from rough sketches made within the manuscript to more finished illustrations. Only a few of these were meant for publication; most were aids to help Tolkien conceive his complex story and keep it consistent. Many do not illustrate the final text, but represent moments of creation, illuminating Tolkien’s process of writing and design. In addition to pictorial sketches, numerous maps follow the development of the Shire and the larger landscape of Middle-earth, while inscriptions in runes and Elvish script, and ‘facsimile’ leaves from the burned and blood-stained Book of Mazarbul, support Tolkien’s pose as an ‘editor’ or ‘translator’ of ancient records. The Art of The Lord of the Rings by J.R.R. Tolkien collects these drawings, inscriptions, maps, and plans in one deluxe volume. More than 180 images are included, all of them printed in colour from high-quality scans and photographs, more than half not previously published. Wayne G. Hammond and Christina Scull, two of the world’s leading Tolkien scholars, have edited the book and provide an expert introduction and comments. Readers who have enjoyed The Art of The Hobbit by J.R.R. Tolkien, with which the new book is uniform, will find much of interest also in The Art of The Lord of the Rings.

This is a book about one of the least known genres in the Orthodox artistic tradition, hagiographical icons. It contains Russian icons from museums and private collections, most of which are published here for the first time. Each one is accompanied by a brief note on the saint's life, iconography and hagiographical literature. All the icon scenes are furnished with inscriptions and some are magnified, making it possible to view the subject in considerable detail. The foreword provides an introduction to the development of hagiographical icons in Russian art. As one of the very few works in English on this fascinating subject, it will be of great interest and value to the specialist and general reader alike.

J.R.R. Tolkien's complete artwork for his magisterial novel, published on the sixtieth anniversary of The Lord of the Rings As he wrote The Lord of the Rings, J.R.R. Tolkien’s mental pictures often found expression in drawing, from rough sketches made within the manuscript to more finished illustrations. Only a few of these were meant for publication; most were aids to help Tolkien conceive his complex story and keep it consistent. Many do not illustrate the final text, but represent moments of creation, illuminating Tolkien’s process of writing and design. In addition to pictorial sketches, numerous maps follow the development of the Shire and the larger landscape of Middle-earth, while inscriptions in runes and Elvish script, and "facsimile" leaves from the burned and blood-stained Book of Mazarbul, support Tolkien’s pose as an "editor" or "translator" of ancient records. The Art of The Lord of the Rings by J.R.R. Tolkien collects these drawings, inscriptions, maps, and plans in one deluxe volume. More than 180 images are included, all of them printed in color from high-quality scans and photographs, more than half not previously published. Wayne G. Hammond and Christina Scull, two of the world’s leading Tolkien scholars, have edited the book and provide an expert introduction and comments.

J.R.R. Tolkien's complete artwork for his magisterial novel, published on the sixtieth anniversary of The Lord of the Rings As he wrote The Lord of the Rings, J.R.R. Tolkien’s mental pictures often found expression in drawing, from rough sketches made within the manuscript to more finished illustrations. Only a few of these were meant for publication; most were aids to help Tolkien conceive his complex story and keep it consistent. Many do not illustrate the final text, but represent moments of creation, illuminating Tolkien’s process of writing and design. In addition to pictorial sketches, numerous maps follow the development of the Shire and the larger landscape of Middle-earth, while inscriptions in runes and Elvish script, and "facsimile" leaves from the burned and blood-stained Book of Mazarbul, support Tolkien’s pose as an "editor" or "translator" of ancient records. The Art of The Lord of the Rings by J.R.R. Tolkien collects these drawings, inscriptions, maps, and plans in one deluxe volume. More than 180 images are included, all of them printed in color from high-quality scans and photographs, more than half not previously published. Wayne G. Hammond and Christina Scull, two of the world’s leading Tolkien scholars, have edited the book and provide an expert introduction and comments.

A sumptuous full-colour art book containing the complete collection of almost 200 sketches, drawings, paintings and maps created by J.R.R. Tolkien for The Lord of the Rings. As he wrote The Lord of the Rings, J.R.R. Tolkien’s mental pictures often found expression in drawing, from rough sketches made within the manuscript to more finished illustrations. Only a few of these were meant for publication; most were aids to help Tolkien conceive his complex story and keep it consistent. Many do not illustrate the final text, but represent moments of creation, illuminating Tolkien’s process of writing and design. In addition to pictorial sketches, numerous maps follow the development of the Shire and the larger landscape of Middle-earth, while inscriptions in runes and Elvish script, and ‘facsimile’ leaves from the burned and blood-stained Book of Mazarbul, support Tolkien’s pose as an ‘editor’ or ‘translator’ of ancient records. The Art of The Lord of the Rings by J.R.R. Tolkien collects these drawings, inscriptions, maps, and plans in one volume. More than 180 images are included, all of them printed in colour from high-quality scans and photographs. Wayne G. Hammond and Christina Scull, two of the world’s leading Tolkien scholars, have edited the book and provide an expert introduction and comments. Readers who have enjoyed The Art of The Hobbit by J.R.R. Tolkien, with which the book is uniform, will find much of interest also in The Art of The Lord of the Rings.

This is the essential one-volume edition of Tales from 1,001 Nights, drawn from the acclaimed landmark translation published in 3 volumes by Penguin Classics in 2008. It contains 'Aladdin', 'Ali Baba and the Forty Thieves', 'Sindbad the Sailor' and many others of the most enjoyable and beloved tales from the Arabian Nights. This new translation was described as 'magnificent' and 'the most ambitious and thorough translation' in the Guardian and lauded in the Telegraph as 'outstanding'. The Sunday Times said 'The new Penguin edition is the one to have'.

The perfect companion to Wonder, the #1 New York Times bestseller! Choose Kind with 365 Days Of Wonder. In Wonder, readers were introduced to memorable English teacher Mr. Browne and his love of precepts. Join Mr. Browne, Auggie, Julian, Summer and Jack in this collection of essays, quotes and words of wisdom. With a precept for each day of the year-drawn from popular songs to children's books to inscriptions on Egyptian tombstones to fortune cookies! Packed with words of wisdom from such noteworthy people as Anne Frank, Martin Luther King Jr., Confucius, Goethe, Sappho-and over 100 readers of Wonder who sent R. J. Palacio their own precepts-this book is the perfect celebration of everyday wonder and hope!

Phaedrus is widely recognized as one of Plato's most profound and beautiful works. It takes the form of a dialogue between Socrates and Phaedrus and its ostensible subject is love, especially homoerotic love. This new translation is accompanied by an introduction, further reading, and full notes on the text and translation that discuss the structure of the dialogue and elucidate issues that might puzzle the modern reader.

Tom Holland's 'stirring new translation' (Telegraph) of Herodotus' Histories, one of the great books in Western history - now in paperback The Histories of Herodotus, completed in the second half of the 5th century BC, is generally regarded as the first work of history and the first great masterpiece of non-fiction writing. Joined here are the sheer drama of Herodotus' narrative of the Persian invasions of Greece, and the endless curiosity - turning now to cannabis, now to the Pyramids - which make his book the source of so much of our knowledge of the ancient world. This absorbing new translation, by one of Britain's most admired young historians, allows all the drama and mysteriousness of this great book to be fully appreciated by modern readers.

One of the world's greatest fantasy novels and a rollicking classic of Chinese literature, in a sparkling new translation and published in a Clothbound Classics edition. A shape-shifting trickster on a kung-fu quest for eternal life, Monkey King is one of the most memorable superheroes in world literature. High-spirited and omni-talented, he can transform himself into whatever he chooses and turn each of his body's 84,000 hairs into an army of clones. But his penchant for mischief repeatedly gets him into trouble, and when he raids Heaven's Orchard of Immortal Peaches, the Buddha pins him beneath a mountain. Five hundred years later, Monkey King is finally given a chance to redeem himself: he must protect the pious monk Tripitaka on his journey in search of precious Buddhist sutras that will bring enlightenment to the Chinese empire. Joined by two other fallen immortals - Pigsy, a rice-loving flying pig, and Sandy, a depressive river-sand monster - Monkey King does battle with Red Boy, Princess Jade-Face, the Monstress Dowager, and all manner of dragons, ogres, wizards and femmes fatales; navigates the perils of Fire-Cloud Cave, the River of Flowing Sand and the Water-Crystal Palace; and is serially captured, lacquered, sauteed, steamed and liquefied - but always hatches an ingenious plan to get himself and his fellow pilgrims out of their latest jam. Comparable to The Canterbury Tales or Don Quixote, Monkey King is at once a gripping adventure, a comic satire and a spring of spiritual insight. With this new translation by the award-winning Julia Lovell, the irrepressible rogue hero of one of the Four Great Classical Novels of Chinese literature has the potential to vault, with his signature cloud-somersault, into the hearts of a whole new generation of readers.

A superb new translation of the libretto to Wagner's Ring cycle 'Smiling in sorrow I sing of love' The Ring of the Nibelung, Wagner's epic cycle of four musical dramas about primal envy, cosmic conflict, the search for glory, spectacular self-sacrifice, redeeming human love and the downfall of gods, revolutionized the nature of opera and conjured up an entire mythological world. It is also one of the greatest texts ever written for the lyric stage, where words are not an adjunct to the music, but an essential part of a transformative experience. John Deathridge's superb new facing page translation of the Ring libretto conveys the pungency and vitality of Wagner's words, reflecting the work's literary power while retaining its sense and dramatic energy.

This new, fully-annotated translation by a leading expert on Hesiodic poems combines accuracy with readability and includes an introduction and explanatory notes on these two works by one of the oldest known Greek poets. The Theogony contains a systematic genealogy and account of the struggles of the gods, and the Works and Days offers a compendium of moral and practical advice for a life of honest husbandry.

The Great Kings of Persia ruled over the largest Empire of antiquity, stretching from Libya to the Steppes of Asia, and from Ethiopia to Pakistan. At the heart of the Empire was the fabled palace-city of Persepolis where the Achaemenid monarchs held court in unparalleled grandeur. From here, Cyrus the Great, Darius, Xerxes, and their heirs passed laws, raised armies, and governed their multicultural Empire of enormous diversity. The Achaemenids, however, were one of the great dysfunctional families of history. Brothers fought brothers for power, wives and concubines plotted to promote their sons to the throne, and eunuchs and courtiers vied for influence and prestige. Our understanding of the Persian Empire has traditionally come from the histories of Greek writers such as Herodotus - and as such, over many centuries, our perspective has been skewed by ancient political and cultural agendas. Professor Llewellyn-Jones, however, calls upon original Achaemenid sources, including inscriptions, art, and recent archaeological discoveries in Iran, to create an authentic 'Persian Version' of this remarkable first great empire of antiquity - the Age of the Great Kings.

War and Peace is a vast epic centred on Napoleon's war with Russia. While it expresses Tolstoy's view that history is an inexorable process which man cannot influence, he peoples his great novel with a cast of over five hundred characters. Three of these, the artless and delightful Natasha Rostov, the world-weary Prince Andrew Rolkonsky and the idealistic Pierre lfezukhov illustrate Tolstoy's philosophy in this novel of unquestioned mastery. This translation is the one which received Tolstoy's approval.

One of the most important philosophical works of all time, in a new Penguin Classics translation by Adam Beresford 'Right and wrong is a human thing' What does it mean to be a good person? Aristotle's famous series of lectures on ethical topics ranges over fundamental questions about good and bad character; pleasure and self-control; moral wisdom and the foundations of right and wrong; friendship and love in all their forms - all set against a rich and humane conception of what makes for a flourishing life. Adam Beresford's freshly researched translation presents many of Aristotle's key terms and idioms in standard English for the first time, and faithfully preserves the unvarnished style of the original.