Enigmatic and ambiguous in its role as both setting and subject, the landscape has been one of the most important genres in painting for centuries. This dedicated survey spans the late Middle Ages to modern times to bring the evolution of the landscape genre to life through its most critical works, executed by groundbreaking artists as diverse as Titian and Warhol. As a form, landscapes represent the topography of the natural world as much as our own; reflecting the diversity of earth's vistas, but also keen indications of developments in representational aesthetics, religious and political history, notions of the sublime and the romantic, as well as the arrival of modernity and the vast changes wrought on the environment by industrialization and urbanization. Opening this insightful volume is an introductory essay offering a meticulous overview of the genre and its most crucial developments. Luscious double-page spreads on each of the 34 featured artworks include a crisp painting reproduction and an extensive art historical analysis on the masters of the form-including such greats as Hieronymus Bosch, Pieter Bruegel, El Greco, John Constable, Claude Monet, and David Hockney.

The landscape has been, for many centuries, one of the most important genres in painting. This book examines the landscape from the late Middle Ages to modern times, comprising a synopsis of the genre and covering a selection of the most important landscapes in the history of art. From Titian to Warhol, readers will discover the evolution of this popular genre. Featured artists include: Jean, Paul and Herman von Limburg, Titian, Joachim Patinir, Albrecht Altdorfer, Veronese, Pieter Brueghel, El Greco, Adam Elsheimer, Rembrandt van Rijn, Claude Gellee, gen. Lorrain, Jacob van Ruisdael, Caspar David Friedrich, John Constable, William Turner, Eugene Delacroix, Albert Bierstadt, Jean-Baptiste Camille Corot, James Abbot McNeill Whistler, Arnold Bocklin, Claude Monet, Vincent van Gogh, Edvard Munch, Paul Cezanne, Georges Braque, Paul Klee, Ernst Ludwig Kirchner, Yves Tanguy, Andy Warhol. Издание на английском языке.

The catalogue of the exhibition to be shown at the Cornell Fine Arts Museum, Winter Park, FL and the Frye Art Museum, Seattle, WA will present a choice selection of 19th century French paintings from the Musee des Beaux - Arts, Reims in order to trace the history of French art from the Romantics, to the School of Barbizon, the circle of Honfleur, and up to Impressionism. The Musee des Beaux - Arts, Reims owns the second largest collection of works by Jean - Baptiste Camille Corot after the Louvre as well as excellent landscape paintings by artists from the Barbizon School. Corot was one of the most significant painters involved with the Barbizonists. Studying the Reims holdings further it seemed evident to edit a catalogue and curate an exhibition that reach from the romantic spirit in French landscape painting to the School of Barbizon on to the group of artists around Eugene - Louis Boudin at Honfleur -- the true cradle of Impressionism -- and lastly to the Impressionists Claude Monet, Camille Pissarro and Pierre - Auguste Renoir.

An expert and detailed account of the painter Claude Monet, one of the key founders of the Impressionist movement and arguably the most influential artist of modern times. An insightful biography tells the story of his life, the historical context of society at the time, and his relationships with Renoir, Sisley and Manet. Features a fabulous gallery of all Claude Monets most significant works accompanied by in-depth analysis of his style and technique. Explores his courageous rejection of the traditional art world and his decision to establish a new form of painting Beautifully illustrated with more than 500 reproductions and photographs.

First published in 1797, The Italian, with its archetypal villain Schedoni, its intense romance and its sublime depiction of landscape, is the masterpiece of Gothic fiction. Enlisted by the Marchesa di Vivaldi, the perfidious monk Schedoni casts a malevolent presence throughout the book as he tries to thwart the passion of the two young lovers Vincenzo di Vivaldi and Elena di Rosalba. Against the backdrop of the Catholic Inquisition and the unforgettable scenery of the Bay of Naples and the Apennines, The Italian celebrates the heroic struggle of love in the face of malice and deceit.

The Fondation Louis Vuitton's unprecedented exhibition brings together one hundred and thirty masterpieces, among the most iconic of the collection created in Moscow by the great Russian art patron, Sergei Shchukin. From Le Dejeuner sur l'herbe (1866) by Claude Monet, the hieratic Mardi gras (1888-90) by Paul Cezanne, Paul Gauguin's Tahitian odalisque Eh quoi, tu es jalouse? (1892), the luminescent panel L'Atelier du peintre (1911) by Henri Matisse, to conclude with Pablo Picasso's Trois femmes (1908) and the collage Compotier, grappe de raisin, poire coupee (1914), the magnificence of Shchukin's collection is most fittingly exhibited here. Extended by a group of sorne thirty major works from the Russian avant-gardes, including Counter Relief (1916) by Vladimir Tatlin, Green Stripe (1917) by Olga Rozanova, and Kazimir Malevich's monochrome painting, Black Suprematie Square (1929), Icons of Modern Art covers the extreme breadth of this journey through nineteenth- and twentieth-century creation. The presentation of these exceptional works, where our collective gaze cornes together, constitutes an exemplary "painting lesson."

This is the story of thirteen days that begin with one murder and end with another. Jerome Morval, a man whose passion for art was matched only by his passion for women, has been found dead in the stream that runs through the gardens at Giverny, where Monet did his famous paintings. In Jerome's pocket is a postcard of Monet's Water Lilies with the words: Eleven years old. Happy Birthday. Entangled in the mystery are three women: a young painting prodigy, the seductive village schoolteacher and an old widow who watches over the village from a mill by the stream. All three of them share a secret. But what do they know about the discovery of Jerome Morval's corpse? And what is the connection to the mysterious Black Water Lilies, a rumoured masterpiece by Monet that has never been found...

Kickstart your creativity and create a masterpiece with step-by-step workshops and advice from professional artists. Whether you want to try your hand at painting for the first time or brush up on your artistic skills, Artist's Painting Techniques is for you. Learn how to work with watercolours, oils, and acrylics and discover everything you need to know about tone, colour, pattern, brushwork, and composition with detailed advice for beginner, intermediate, and advanced painters. Fully illustrated, step-by-step workshops from professional artists guide you through more than 80 painting techniques including laying a flat wash, painting fur, and creating impasto sculptural effects. All techniques are accompanied by inspiring exercises and projects to try at home to help you develop your skills, discover your own style, and grow as an artist. Master every aspect of painting with this essential guide, from choosing a subject to mounting your first piece. Whatever your level of expertise, you can learn to paint with confidence - and perhaps create a masterpiece (or two) along the way.

Presenting a variety of impressionist art, this inviting book shows young readers how painters from Claude Monet to John Singer Sargent introduced impressionist styles of painting and so changed the course of art. In this beautifully produced volume, young readers are given the opportunity to study masterpieces of Impressionist work in great detail. From Monet's Impression, Sunrise, which is attributed to starting the movement, to Seurat's pointillist masterpiece, A Sunday on La Grande Jatte, each painting is reproduced on its own page with descriptive texts, biographical details of the artist, and entertaining facts. Along the way readers will learn the historic context of these paintings as well as a variety of artistic terms. The book also offers playful suggestions for creating Impressionist art at home or school as well as ideas that will help young readers appreciate why the Impressionist style was at once revolutionary and timeless.

Welcome to the greatest gallery on Earth. Put yourself in the picture with this incredible visual guide displaying the best artistic works of all time. You're the very special guest with unlimited access to the world's most important art through the ages, from ancient cave paintings to modern-day street art. On your journey through time you'll see a wealth of valuable art, including Egyptian tomb paintings, Roman frescoes, Byzantine mosaics, and Chinese porcelain. Special attention is given to art from different eras, such as Aboriginal Dreamtime, Renaissance period, impressionism, contemporary art, and much, much more. Watch the progression of artistic styles and techniques, such as oil painting, watercolour, pastels, and sculpture. Leonardo da Vinci, Claude Monet, Vincent van Gogh, Pablo Picasso, Frida Kahlo, Jackson Pollock, and Andy Warhol are just some of the big names from the past and present featured inside. Every talent's work is showcased through a signature piece supported by illuminating text, giving you a unique tour of each prestigious work of art. Budding artists, this is all the inspiration you need to make your own masterpiece.

AB9061 Набор акриловых красок Пейзаж с кистями Acrylic Landscape Painting Set

The Collins Gem series is being relaunched in Spring 2004 and this new title features a new internal design and a strong new cover design. Packed full of tips for the aspiring watercolourist, its handy format makes it ideal for quick reference either in the studio or out in the field. Contents include: - essential tips on all the basic watercolour techniques, plus helpful advice on sketching and drawing - guidelines on painting skies, backgrounds, foregrounds, the main subject, trees, details and shadows - clear and straightforward step-by-step instructions for painting a complete landscape in 7 easy stages - tips on painting water in various forms and adding people to a painting

No other artist, apart from J.M.W.Turner, tried as hard as Claude Monet to capture light itself on canvas. Of all the Impressionists, it was the man C?zanne called "only an eye, but my God what an eye!" who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of waterlilies, painted in his own garden at Giverny, which, in their approach toward almost total formlessness, are really the origin of abstract art. This biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.

No other artist, apart from J.M.W.Turner, tried as hard as Claude Monet to capture light itself on canvas. Of all the Impressionists, it was the man C?zanne called "only an eye, but my God what an eye!" who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object.It could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of waterlilies, painted in his own garden at Giverny, which, in their approach toward almost total formlessness, are really the origin of abstract art.This biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.

The essential Impressionist No other artist, apart from J. M. W. Turner, tried as hard as Claude Monet (1840–1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cezanne called “only an eye, but my God what an eye!” who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of water lilies, painted in his own garden at Giverny, which, in their approach towards almost total formlessness, are really the origin of abstract art. This biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.

No other artist, apart from J. M. W. Turner, tried as hard as Claude Monet (1840–1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cezanne called “only an eye, but my God what an eye!” who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object.It could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of water lilies, painted in his own garden at Giverny, which, in their approach toward almost total formlessness, are really the origin of abstract art.This biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.